Captivating from beginning to end
Though much of it takes place in a physical world of forests and stones, the real story of Gillissen’s protagonists, Rom, Yldich, and Eald who journey through enchanted lands northward, is one of kinship and illusion as they struggle to save their people from the destructive power of an entity known as the Tahiéra.
Gillissen uses dreams the way that an artist might use watercolors to paint a vivid portrait. Her expressions are at once clear and beautiful as they are abstract and distant, eventually culminating in an ending revelation that is unforeseeable (unless, of course, you’ve “dreamwalked” through the story already).
Rom is haunted by “énthemae” dreams, or dreams of his past which reveal a power in him to confront the Tahiéra. As he learns these things throughout his journey, he becomes acquainted with “ayúrdimae” dreaming, or “dreamwalking”. “Curse of the Tahiéra” is full of mystical enchantments and riveting adventures, but it’s these particular facets which make it different from most other fantasy novels. Gillissen creates a dream world within a dream world; worlds inside of other worlds which are constantly in motion. It might seem complicated, but Gillissen handles them all like a well trained juggler, and the show is spectacular.
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